Are they the perfect couple?

Cought in action!
Scott Schuman and Garance Doré, a couple traveling around, looking for the perfect "street style" outfit!
They're the faces behind The Storialist and Garance Doré, blogs massively visited.
Consequently both are "front row"of the most important fashion show's.
... & I'm just jealous about that!

Are they the perfect couple?
Tell me what you think about them!


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Valentino | The Haute Couture

Valentino | The Haute Couture
Paris Couture Week | Fall Winter 2010

The mood was compounded by the name the designers gave their collection: The Dark Side of First Love. If that notion has a Lolita tinge, Chiuri and Piccioli made the clothes to match. They even dropped a cage over one girl to let you know she was trapped.

Teen psychodrama may fit with the kind of "dark side" idea they've sometimes toyed with in the past, but it was downright peculiar in a couture context. Still, as a pitch to a much younger customer (and those girls were out in force in the front row today), the collection was a major success on its own terms: haute couture for the Twilight generation.

By Tim Blanks


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Gucci Launches Kids Collection

Gucci Launches Kids Collection and donates 1million USD to Unicef

Gucci's new versatile and refined collection for babies (from 0 to 24 months) and children (from 2 to 8 years old) symbolized by the iconic Gucci teddy bear, will commence with the Spring Summer 2011 season.


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Gucci | Cruise 2011

Gucci | Cruise 2011
Which is your favourite look?

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Chanel | The Haute Couture

Chanel | The Haute Couture
Paris Couture Week | Fall Winter 2010

Karl Lagerfeld has often insisted that his collections come to him in dreams, but following his new Chanel couture show, he claimed the dream this time had been a nightmare. "No, no, just kidding," he quickly added, but there was a weight to the clothes that suggested a darker thread in Chanel this season. Compared to the glistening sci-fi whites of his Spring couture, these looks had a moody tinge.

But if the collection had a difficult aspect, it also felt brave in its boldness and focus. In place of the magpie glee that can make a Chanel show such a sensory overload, there was an almost military discipline here, even as the parade grew more elaborate with each passing outfit. The combination of voluptuousness and severity could have bordered on an arch libertine sensibility, but barely brushed hair and fresh, girlish makeup added a vital lightness.

The ever-precise Lagerfeld is a textbook Virgo, but in honor of Chanel the Leo, he filled the Grand Palais with a vast and marvelous lion. Its paw rested on a huge globe—a Chanel pearl, perhaps—from which the models emerged. Befitting a collection that had the courage of its convictions, this was a fierce, awe-inspiring creature—one that could have sprung from a dream or even a nightmare.

By Tim Blanks


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